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Mollie's Defection to the Human World

Animal Farm

Charts the pretty white mare's gradual disaffection with the revolution and her return to a life of luxury and servitude.

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The Vanity of the RevolutionThe Vanity of the Revolution from "Animal Farm". Mollie is a foolish, pretty mare who draws Mr. Jones's trap. She is more concerned with sugar and ribbons than with freedom.
Mollie is a foolish, pretty mare who draws Mr. Jones's trap. She is more concerned with sugar and ribbons than with freedom. At the first teaching of Animalism, she asks if sugar and ribbons will still be allowed. Snowball tells her they are symbols of slavery, but she is unconvinced.
The Discovery of Her SecretThe Discovery of Her Secret from "Animal Farm". Clover discovers Mollie has been hiding sugar and ribbons in her stall. Mollie is confronted but denies it. She is also seen talking to a man from Foxwood.
Clover discovers Mollie has been hiding sugar and ribbons in her stall. Mollie is confronted but denies it. She is also seen talking to a man from Foxwood. She is torn between the revolution and her desire for comfort. Her loyalty is superficial.
Cowardice in BattleCowardice in Battle from "Animal Farm". During the Battle of the Cowshed, Mollie hides in her stall instead of fighting. She is found after the victory, and the other animals are disappointed.
During the Battle of the Cowshed, Mollie hides in her stall instead of fighting. She is found after the victory, and the other animals are disappointed. Her lack of courage marks her as unreliable. The incident deepens her alienation from the farm.
The EscapeThe Escape from "Animal Farm". Mollie disappears. The pigeons later report seeing her in Willingdon, pulling a red-and-black dogcart for a publican.
Mollie disappears. The pigeons later report seeing her in Willingdon, pulling a red-and-black dogcart for a publican. She is fed sugar and wears a scarlet ribbon. She has chosen a life of comfortable servitude over the uncertain freedom of Animal Farm. The animals never mention her again.
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